Antichrist (2009), by controversial director Lars von Trier, is the most disturbing horror film I’ve ever seen.
Antichrist, America, and the End of Days. 1 Thessalonians 4, Daniel 7. Antichrist is coming to defy and take the place of Jesus. We’ve got a great resource to put in your hands for just such a purpose. It’s our cinematic crusade film, A Rush of Hope. We will send you a copy when you donate to Harvest Ministries today. The women at the end, who were perhaps somehow the same as the fragments of women entwined in the tree roots earlier in the film, are climbing - Heaven is up. They are dressed - leaving Eden. The mood is peaceful. It feels like the women have been released by the death of She.
It opens with one of the most horrifying scenes in any movie I’ve watched. The ending scenes are even more excruciating. I won’t go into details to avoid blunting the shock factor, but consider yourself forewarned.
After the death of their toddler (“Nic,” played by Storm Acheche Sahlstrom), a couple who remain unnamed throughout the movie (Willem Dafoe as “He” and Charlotte Gainsbourg as “She”) deal with Her atypical grief over this heartbreaking loss. After She is hospitalized for a month, He, a psychotherapist, transports Her to their wilderness cabin, which harks back to the Garden of Eden and is in fact named “Eden.” There, they embark on psychotherapeutic exercises to help Her overcome Her grief and fear.
The director’s Antichrist — starring Charlotte Gainsbourg and Willem Dafoe as a husband and wife grieving the death of their young son — made its debut at the film. Ending Climb The. The global warming alarm and the fear generated by COVID-19 are prepping society for the arrival of the antichrist. One need not look any further than to the World Economic Forum (WEF) website to see how the global elite seeks to use these “crises” to reorder society for what they call “The Great Reset.”. The film centers around a live interview with the Antichrist broadcast around the world during the final year of the Great Tribulation. The producers tapped well-known faith-based director, Tim Chey, to direct the film. Chey is known for two of the most seminal end-times films ever made: 'Gone' (2002) and ‘Final: The Rapture' (2013).
They seem to make progress, but His strange encounters with dead and dying animals—the Three Beggars: Grief, Pain, and Despair—coincide with Her descent into madness. He discovers Her thesis notes on “gynocide” that have degenerated over time into incoherent scribbles. He realizes She’s not as good a mother as He supposed.
Free microsoft office excel for mac. She tells Him at one point, “Women do not control their own bodies; Nature does. … Nature is Satan’s church.” She demonstrates when she begins to terrorize him.
Fearing He will leave Her, She’s convinced He has become the enemy and intervenes violently to prevent abandonment. These climactic scenes are unbearably intense, gory, and sexually explicit. (Several scenes should have earned the movie an NC-17 rating, so beware.)
Von Trier’s perverse film is not for the squeamish. He developed it during a severe depression (which I admire because I’ve been unable to write while depressed), and his mental and emotional state during the writing and filming leach through to infect the mind and soul of viewers.
At the cabin, She renounces Her thesis and tells Him She believes that women are evil. Is the movie misogynistic? That depends on your point of view. Von Trier’s female characters are often abused, and NPR paints Him like male characters in von Trier’s other works as “a smug, sententious fool.”
While this film is sinister and unpleasant, Anthony Dod Mantle’s cinematography is gorgeous—especially the black-and-white scenes, the close-ups, and out-of-focus shots.
The acting is exceptional. Dafoe, who played Jesus in The Last Temptation of Christ (1988), always gives a good performance, and Gainsbourg (Claire in von Trier’s Melancholia ) is stellar.
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The movie deals with biblical themes about Satan, the Fall, and the nature of evil. But I couldn’t understand why the film was titled “Antichrist”; it had nothing to do with the man of lawlessness. When the handwritten credits rolled, I found out why: the director is billed as “Lars von Trier Antichrist.”
You will either love or hate this film. But as a study in dramatic horror, it’s a must-see for film students and enthusiasts alike. 4.7 stars.
Watch the trailer: https://www.youtube.com/watch?v=aCgkoWZzOrc
There are no bigger baddies than the Antichrist. He represents all that is impure and evil about the human race, and though you may believe in his existence, his trickery makes him impossible to identify. Director Timothy A. Chey decides to remove this trickery with his new filmInterview with the Antichrist.
Aperture alternatives mac. The film follows reporter Alex Carter (Aaron Groben) as he conducts an interview with the Antichrist (Ego Mikitas). The interview is broadcast worldwide, and the reporter is free to grill the Antichrist on many human tragedies, including 9/11, mass shootings, and death squads. The Antichrist’s are not quite what Carter expects, but they in turn lead to bigger questions about humanity and the current state of the world.
Interview with the Antichrist is as bold a concept as has been done on film, and director Chey manages to pull it off. The notion of sitting down for a cordial discussion with the spawn of Satan is such a profoundly compelling idea that it almost runs the risk of being underwhelming, but Chey keeps the tension high throughout the film. Much of it has to do with the fluidity of the dialogue.
Carter and the Antichrist swerve from one topic to another, some deathly serious and others somewhat humorous. They discuss the fallout of 9/11, but they also discuss the role that Rudolph the Red-Nosed Reindeer plays in distracting people from the true meaning of Christmas. This variety in topic keeps the film from being one-note, and constantly unpredictable.
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Chey is a Harvard graduate and a notable faith-based director in the United States with over 15 film credits to his name. Some of his most notable titles, Freedom and Suing the Devil, saw him work with big name movie stars like Malcolm McDowell, Tom Sizemore, and Cuba Gooding, Jr. He works with less established names here, Groben and Mikitas, but he gets similarly compelling performances. Mikitas is especially memorable in a role that has been played by everyone from Al Pacino to Sam Niell.
Interview with the Antichrist feels especially timely given the current state of the world. This was not lost as Chey, who initially conceived of the film as a court case instead of an interview (Chey also studied at Boston University of Law). The questions that get lobbed at the Antichrist are questions that many have asked over the past few years, whether it be in regards to mass media or political corruption.
The film strikes a good balance of not telling you what to think but also not leaving its answers too vague to leave an impression. Instead, it compels you to look in the mirror and determine the answers for yourself. Chey said that his intention with the film was to bring awareness to the state of humanity in 2020.
“My one and only goal is to bring people true salvation in Christ in these very last days”, he explained. “The Lord is coming sooner than we think’. The film is also fundraising to support this message, raising $10 million in prints and advertising. We won’t spoil the ending or the fate of the world in the film, but we do recommend watching Interview with the Antichrist during your holiday break.
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Interview with the Antichrist will be released December 21 on VOD.